Emma Cousin

Emma Cousin makes paintings and drawings that often start with a piece of word-play or colloquial phrase. This then is used as the title of a work that expands on that piece of fragmentary text that is often allusive or playful, for works that feature figures engaged in what might look like private games, relationships or forms of communication with each other and their surroundings. In recent paintings these surroundings have taken the form of tunnels and rocky landscapes, where the boundaries between the bodies of the figures and what is around them, dissolve and merge.

The figures in Cousin’s earlier works often form a circuit of some sort, as if they might become a machine that collectively articulates a system. Cousin uses the bodies of the figures she depicts to explore ideas around communication and non-communication to question our relationship to each other and also to think about the ways bodies operate in space. That space might be interpreted as a post-human space, where alteration and augmentation 

allow the subject to create new versions of ourselves in order to communicate with each other. Cousin has stated: “I’m curious about our expectations of our bodies and judgements of other bodies. I’m testing their limits and interested in putting the bodies at risk. They exist in a liminal space which is a place of discomfort, an edge of a boundary.” (Interview, Elephant magazine, June 2018)

Cousin has said with regard to those works “The ideas around social systems - how bodies hold each other up, fit together, support or destabilise each other has been a concern for some years. The struggle to find equilibrium physically and psychologically as well as a play with sensorial opposite - pleasure/pain, love/violence, disgust/attraction. The symmetry of the paintings’ design encapsulates that struggle for sure…” (interview with Hettie Judah, 2022)

More recent work, such as the body of work exhibited at Jessica Silverman in Autumn 2024 depict figures that are more entangled with their surroundings, rather than each other. Abstracted bodies seem to merge, attack or dissolve into land, heads doubling as mountains, limbs becoming markers of the landscape. 

Emma Cousin is a painter and drawer based in London. Recent solo exhibitions include Jessica Silverman Gallery, San Franciso (2024), Goldsmiths Centre for Contemporary Arts, London (2020). Group exhibitions include Xiao Museum, China (2022);, Vesthoffen Kunstlaboratorium, Norway (2023) and  Castlefield Gallery (2020). Her work is included in public collections, including, the Arts Council Collection, London; Xiao Museum, China; Zuzeum Museum, Riga, Latvia; Aishti Foundation, Lebanon and W Art Foundation, Hong Kong.