Cecilia Fiona
Cecilia Fiona (b.Copenhagen, Denmark) works across sculpture, painting, costume, and performance to create an interconnected ecosystem where each medium evolves from the other. Her ritual-like performances give physical form to the creatures in her paintings, while her sculptures expand the worlds depicted in her visual works. Using organic materials such as paper pulp, shells, branches, rabbit-skin glue, jute, loofah plant and natural pigments, Fiona explores the symbiotic relationship between the body and the earth. Drawing inspiration from quantum physics, microbiology, and alchemy she creates her own mythological universe populated by biomorphic and hybrid beings situated somewhere between prehistorical creatures and future human species. Her practice envisions speculativefutures where the boundaries between human, nature, and cosmos dissolve into fluid, interconnected realities.
Fiona’s creative process is intuitive and meditative. She describes her painting sessions as akin to an archaeological excavation: “I start with a vision that feels like remembering a dream. It’s blurred at first, so I let intuition guide me until I reach the image.” Her meticulous technique involves painting with a small, thin brush, even for large strokes, resulting in detailed and complex compositions that blend figures and landscapes into one another. This approach creates a state of flow and tumult on the canvas, dissolving the boundaries between bodies and the world. Her work often explores themes of transformation, movement, and connectedness. Fiona states, “I see my works as ecosystems, where one link leads to the next, and where all beings are in constant transformation towards new stages of life and new ways of existing.” This perspective aligns with her interest in posthumanist theories, particularly Rosi Braidotti’s concept of nomadic subjectivity, which emphasizes the fluidity of identity and the interconnectedness of all life forms.
Cecilia Fiona has exhibited her works at institutions such as Copenhagen Contemporary, Denmark (2025), SIXI Museum, Nanjing, China (2024) Lab Verde Residency, Amazon, Brazil (2024). She was shortlisted for The Hopper Prize in 2023 and has completed residencies at El Castillete in Madrid (2022) and LAB VERDE Speculative Ecologies Residency in the Amazon, Brazil (2024).
In 2026 she will have her first institutional solo exhibition in the UK at Towner Eastbourne and her works are included in a group show at Bergen Kunsthall in Norway opening January 2026.
 
                     
                     
                     
                     
                    
 
                                 
                                    
                            